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The exchange of production information between products from different vendors is more likely to occur by means of a standard that can be applied industry-wide. This information is ingested into the MAMS, and given a proper integration, is also transferred to the craft editor environment where material can be viewed immediately with this continuity and logging information. Such items can also include a limited amount of production metadata e. Having a working MAMS integration through which essence can be exchanged, and a MAMS that itself already provides craft editor integration, allowed us to avoid having to construct a similar essence exchange channel with the craft editor environment.

We feel that this is an interesting demonstration of how a SOA can ease integrations. Figure 5. Now, only the composition AAF file needs to be exchanged, from which the required media assets are distilled and essence file transfers between the MAMS and craft editor are performed without mediation from the drama production system.

The current system implementation only supports AAF files with simple transitions, cuts and multi-camera selective switching between source clips. At the moment, more elaborate effects are insufficiently standardized to be universally usable. All workflow components, which include hardware, software and the production crew, work together on a single goal: one product that is defined by a single set of numbers. For example, the MSML format allows us to extend narrative screenplays into 3-D previsualized environments, which in turn contains information that we can fully reuse throughout the rest of the production process.

As such, strong bindings can be created between the descriptive metadata elements and the audiovisual essence we aim to produce in the end.

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Additionally, low-level feature analysis can help close the descriptive gap between media assets and semantic drama production elements, in order to help realize computer-assisted production processes such as semantic mastering. At the same time, an expressive workflow metadata model cannot function properly without a number of service abstractions that provide translations from this clean and ideal model to the gritty and potentially complex details of whatever product is hidden behind the public interface.

By defining a generic interface for a number of components e. We did however, deviate somewhat from the more commonly used SOA construction scheme. As mentioned, we have used REST services as the main means for communication. In our case, this was perfectly fit for a flexible way of fetching structured information by means of resource locators URLs and using simple HTTP verbs.

However, we do use common SOAP-based web services for a Remote Procedure Call-based style of communication in which we invoke remote operations, e. At the time, there was no explicit need for messaging middleware also known as an enterprise service of messaging bus, ESB or an explicit layer of business process management BPM functionality. The central drama production application server provides all production information and coordinates actions by implementing most business logic itself.

In order to support a more elaborate and scalable production facility this implementation is only a proof-of-concept setup future implementation could be extended to use an ESB and more flexible BPM modules. We were able to use a number of standardized formats to aid in the specification of various production process documents and the integration of different components. Unfortunately, the expressivity of these formats concerning the intricacies of the drama production process is limited.

This prompted the custom development of our drama production data model and MSML specification. In order to preserve the rich metadata fabric constructed during production across various heterogeneous services in the production facility, a lot of work still remains to be done in terms of standardization of media production metadata models, and with it, media production service interfaces.

Camera Formats for Video

The work of the AMWA in this respect is very interesting and promising, considering the existing AAF format and the ongoing specification efforts concerning its Application Specifications and Media Services Architectures. Similar to how NewsML documents can already elaborately describe news items and associated essence, open and standardized specifications can hopefully be defined for creative and complex production processes such as drama production and multi-platform product repurposing.

In this respect, we hope that our metadata developments can serve as inspiration for such standardization endeavors or for other experiments in the implementation of enriched media production workflows. Book file PDF easily for everyone and every device. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. Locations where this product is available The book also explains the reasons behind many details of the specification documents. Books by Nick Wells!